Whatever the material used: paper, plastic, digital, wood, metal or any others, I am focused on the relation between painting and volume, chromaticism and structure and more recently to the way they can interact with the architectural and environment space.
In a first time, my painting work was strickly developing my informal language till the matter itself became the center of my research. From that point, I had a linear evolution from the painting canvas to a kind of "low relief painting" and then to the volume with sculptures and installations. In each of these steps my language stayed non-figurative. informalisml fom my point of view is the more direct way, out of any concept, reality's references or symbolism that could interfer between the artwork and the viewer.